Hey there, my name’s Megan and I’ll be the Concert Promotions intern for this summer! I’m really excited to have this amazing opportunity to work at Turner Sims!
I’ve just finished second year doing music at the University of Southampton. I’m a lover of all things music: I’ve composed music for a variety of different instruments, and I’ve played in many ensembles such as classical orchestras and rock, folk and jazz bands as a flute and sax player. Since coming to Southampton, I’ve really enjoyed the vibrant music scene the city has, and I feel that I’ve discovered so many new kinds of music since coming here!
One venue that I’ve spent a lot of time in is, of course, Turner Sims! I’ve always been a fan of the lunchtime concert series and seeing the variety of different artists that perform there. I’ve also had the amazing opportunity to both perform and watch my course-mates and friends perform at Turner Sims. I decided to take on this internship because I love the venue and I believe that marketing is extremely important for musicians. I want to make sure that, during my internship, I can encourage as many people as possible to come to Turner Sims and enjoy what the venue has to offer! I’m extremely grateful to the team for giving me this great opportunity and I’m excited for what’s to come!
I’ve created a playlist for the upcoming autumn season with all my favourite tracks that I’ve discovered from artists in our upcoming season at Turner Sims. What better way to get a taste of the season then to listen to some of the tunes yourself?
To start us off, we have a tune from the legendary saxophonist Courtney Pine. His multi-cultural album is full of groove, energy and virtuosic soloing. For this track, Pine takes the theme from Tico-Tico no Fubá by Brazilian composer Zequinha de Abreu and adds his own jazz spin on it with sporadically fast soprano sax melodies and soloing alongside a beat that never lets up.
The combination of quirky sounds from analogue synths and orchestral recordings from the BBC National Orchestra of Wales create a unique tune. Like the name suggests, the song has a floaty and lively quality to it, with moments of urgency and tension.
‘Of all The Sorrow Songs, this is the only one that is not specifically rooted in a particular time, place or individual’s story. This song is for all the people who have ever been made to feel unwelcome in the place they have chosen to call home.’ Angeline Morrison
The Sorrow Songs: Folk Songs of Black British Experience is an amazing album that turns the (previously) unsung stories of black ancestors living in the UK into traditional folk songs. Angeline Morrison’s deeply beautiful voice combined with the melancholic, brooding tone of this song portrays both past and current experiences of prejudice.
With an opening full of dramatic suspense that turns to a lighter mood once the waltz is introduced, Strauss’ Delirien Waltz will bring excitement to the new year with Welsh National Opera’s Performance of this stunning piece. My favourite moment is the playful yet graceful flute solo towards the beginning that segues perfectly into a grandiose tutti orchestra.
I was hard pressed to not include one of Brahms’ most beautiful sonatas. This expressive yet moody, haunting yet romantic piece is captured by the richness of Natalie Clein’s playing.